» » Schumann, Beverly Sills, Hermann Prey, Erich Leinsdorf - Szenen aus Goethe´s Faust

Schumann, Beverly Sills, Hermann Prey, Erich Leinsdorf - Szenen aus Goethe´s Faust Mp3


Performer: Schumann, Beverly Sills, Hermann Prey, Erich Leinsdorf
Genre: Classical
Title: Szenen aus Goethe´s Faust
Style: Romantic
Label: Penzance Records
Catalog Number: PR 7
FLAC version ZIP size: 2298 mb
MP3 version ZIP size: 2646 mb
WMA version ZIP size: 2814 mb
Rating: 4.9
Votes: 518

Tracklist

1Overture
2The Cathedral
3Faust´s Redemption (conclusion)
4Midnight
5Twiglight
6Faust´s Death
7In the Garden
8Faust´s Redemption (beginning)
9Gretchen before the Mater Dolorosa

Credits

  • Baritone VocalsHermann Prey
  • ConductorErich Leinsdorf
  • Soprano VocalsBeverly Sills

Notes

Robert Schumann - Szenen aus Goethes Faust
Hermann Prey - Faust
Beverly Sills - Gretchen
conductor: Erich Leinsdorf
private recording
Penzance Records #7

German-English libretto included, last two pages of the libretto include "A Word about this Performance" by Erich Leinsdorf
Recorded 1966

Barcodes

  • Matrix / Runout (Side A): PR 7-A
  • Matrix / Runout (Side B): PR 7-B
  • Matrix / Runout (Side C): PR 7-C
  • Matrix / Runout (Side D): PR 7-D

Album

Robert Schumann - Szenen aus Goethes Faust Hermann Prey - Faust Beverly Sills - Gretchen conductor: Erich Leinsdorf private recording Penzance Records 7 German-English libretto included, last two pages of the libretto include A Word about this Performance by Erich Leinsdorf Recorded 1966. Robert Schumann p, 1810-1856 DE album by. Beverly Sills voc, 1929-2007 US soprano vocals, album by. Hermann Prey voc, 1929-1998 DE baritone vocals, album by. Erich Leinsdorf p, 1912-1993 AT conductor, album by. Album Tracks. Robert Schumann - Szenen aus Goethes Faust Hermann Prey - Faust Beverly Sills - Gretchen conductor: Erich Leinsdorf private recording Penzance Records 7. German-English libretto included, last two pages of the libretto include A Word about this Performance by Erich Leinsdorf Recorded 1966. Barcode and Other Identifiers. Matrix, Runout Side A: PR 7-A. Scenes from Goethe's Faust Szenen aus Goethes Faust is a musical-theatrical work by composer Robert Schumann. The work has been described as the height of his accomplishments in the realm of dramatic music. The work was written between 1844 and 1853 and is scored for SATB chorus, boys' chorus, orchestra, and a number of solo parts which, even with doubling, require seven solo singers, although eight three sopranos, two mezzos, one tenor, one baritone, and one bass. Baritone: Hermann Prey 'Faust' Orchester des Bayerischen Rundfunks: Erich Leinsdorf. Arthur Rubinstein - Robert Schumann Quintet in E flat, Op. Приобретайте пластинки, компакт-диски и многое другое от Erich Leinsdorf на маркетплейсе Leinsdorf leads the musical forces in this 1966 performance from Boston's Symphony Hall of Szenen aus Goethes Faust by Robert Schumann. Scenes From Goethe's Faust for vocal soloists, chorus & orchestra or piano, WoO 3. Robert Schumann. Orchestre des Champs-Élysées, Philippe Herreweghe. Work Title. Szenen aus Goethes Faust. Scenes from Goethe's Faust. Name Translations. Scènes de Faust Scene dal 'Faust' di Goethe ゲーテのファウストからの情景. Pages with items from Album Musica. Horn, AugustArranger. Kleinmichel, RichardArranger. Listen to music from Philharmonia Chorus London, Philharmonia Orchestra London, Hermann Prey, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Oscar Czerwenka, Erich Leinsdorf like Der Barbier von Bagdad The Barber of Baghdad: Act II, Dass nicht die laute Welt uns, Der Barbier von Bagdad The Barber of Baghdad: Act I, Sanfter Schlummer wiegt & more. Philharmonia Chorus London, Philharmonia Orchestra London, Hermann Prey, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Oscar Czerwenka, Erich Leinsdorf. Play artist. 4 November 2010. Play album. Do you have any photos of this artist . Exclusive discount for Prime members. Sample this album Artist - Artist Sample. Extravagantly praised by connoisseurs, the music is at times discursive and wandering. It dates from late in Schumann's career, when his inspiration was steadily fading. Part 3 came first, in time for the Goethe centennial of 1849, with Parts 1 and 2 slowly following, culminating in the Overture, composed in 1856, just before he fully succumbed to mental illness. I find the Overture rambling and melodically neutral